Bloomberg Philanthropies rewards 26 Austin cultural groups with grants

[cmg_anvato video=3925636 autoplay=”true”]

Bloomberg Philanthropies has named 26 Austin cultural groups that will receive significant grants as well as management training as part of a $43 million second-wave campaign to strengthen small-to-medium-sized American arts nonprofits.

The charitable foundation — established by businessman and former New York City Mayor Michael R. Bloomberg — chose the groups by invitation only in selective cities.

“It was a complete shock,” said Ron Berry, artistic director of Austin recipient Fusebox Festival. “I was in the office reading an article about how Bloomberg was expanding into our region and remarked to the team about how exciting that was, and then we got an email from them about five minutes later.”

Sylvia Orozco, executive director of the Mexic-Arte Museum, is as thrilled with the grant now as she was with her group’s first in 1984. Daulton Venglar/AMERICAN-STATESMAN

“The arts inspire people, provide jobs and strengthen communities,” Bloomberg said in a statement. “This program is aimed at helping some of the country’s most exciting cultural organizations reach new audiences and expand their impact.”

In May, Austin was named alongside Atlanta, Baltimore, Denver, New Orleans, Pittsburgh and Washington D.C. to receive a second round of Bloomsberg grants valued at $43 million. Rare for this type of giving, the money is intended to cover operational expenses rather than specific programs.

RELATED: We salute $43 million in Bloomberg arts gifts.

“We wanted to reach cities that we thought had a really strong mix in the way they were serving up arts and culture,” Kate Levin, who oversees arts programs for Bloomberg, told the New York Times in May.

Previously, the program had given $65 million to smaller groups in New York, Boston, Chicago, Dallas, Detroit, Los Angeles and San Francisco.

In response to the news, Austin arts leaders talked about immediate needs, such as rent or replacement facilities and equipment, but also longer term strategies like marketing and development.

Pianist Michelle Schumann said: ‘The grant comes with a wealth of consulting services and access to experts in the fields of marketing and development.’ Contributed

“Because our building has been sold, we must move in two years,” said Chris Cowden, longtime leader of Women & Their Work Gallery.”We have decided that, to avoid ever higher rents and the instability that brings, we must buy a building. Since the Bloomberg grant is earmarked for operating expenses, money that we would normally have to use for rent and salaries can now be set aside in a fund that will be used to buy that building.”

Finding new audiences is a high priority for long-established groups that have not reached their potential in the community.

“We are investing most of the funds into marketing because that is what we believe will make the strongest impact,” said Ann Ciccolella, artistic director of Austin Shakespeare. “I am personally thrilled! It’s taken a long time to get to a $500,000 budget and now it’s time for growth. With so many arts groups in the city learning new tactics together, I am hoping for powerful results.”

For some groups, the grant money takes a back seat to training. Bloomberg’s arts innovation and management program was devised by DeVos Institute of Arts Management at the University of Maryland.

“The grant comes with a wealth of consulting services and access to experts in the fields of marketing and development,” said Michelle Schumann, artistic director of the Austin Chamber Music Center. “I’m really thrilled to have the opportunity to ‘up our game.’”

The Bloomberg group instructs recipients to keep mum about the gift amounts, but an informal poll suggests that the grants equal 10 percent of their existing operating budgets.

“I am pumped,” said Jenny Larson, one of Salvage Vanguard Theater‘s artistic directors. “This funding could not have come at a better time for us. Being in a place of transition with the venue and staff has made us feel off balance. This support gives me hope and confidence that over the next two years we can create a solid foundation for SVT to continue to grow from.”

What do local arts leaders want to do with the windfall?

“Everything!” said  Lara Toner Haddock, artistic director of Austin Playhouse. “Seriously there’s always a huge wish list of what we could do with extra funds. An unrestricted grant is so welcome.”

“I am as thrilled and excited as I remember being when we received our first grant ever in 1984,” said Sylvia Orozco, head of the Mexic-Arte Museum. “I am glowing! When you are young and daring, you believe you can do anything and accomplish everything you dream of. That’s how I felt then and that is how I again feel now.”

26 Austin cultural groups will receive Bloomberg Philanthropies grants

Allison Orr Dance (Forklift Danceworks)

Anthropos Arts

Austin Chamber Music Center

Austin Classical Guitar Society

Austin Creative Alliance

Austin Film Festival

Austin Film Society

Austin Music Foundation

Austin Opera

Austin Playhouse

Austin Shakespeare

Big Medium

Center For Women & Their Work

Chorus Austin

Conspirare

Creative Action

Esquina Tango Cultural Society

Fusebox Festival

Mexic-Arte Museum

Penfold Theatre Company

Puerto Rican Folkloric Dance

Roy Lozano Ballet Folklorico De Texas

Rude Mechs

Salvage Vanguard Theater

Telling Project

Vortex Repertory Company

UPDATE:  Lara Toner Haddock’s name was missing from this story in an earlier post.

Austin artist, musician Steve Parker wins $15K Tito’s Prize

Big Medium, which marshals some of the city’s most precious visual art resources, could not have chosen a more timely winner for its $15,000 Tito’s Prize.

Artist and musician Steve Parker has won the 2018 Tito’s Prize. Contributed

A musician, artist and curator, Steve Parker has been involved in some of the city’s outstanding collaborative projects, beloved by the public as well as critics and colleagues, including work on the city’s much-discussed grackle population.

The prize comes with a solo exhibition at the Big Medium Gallery, Oct. 19-Nov. 18, as well as a key spot on the East Austin Studio Tour (Nov. 10-18).

Parker’s public art is embraced by just about everyone. Contributed by Philip Rogers.

RELATED: Zack Ingram won 2017 Tito’s Prize.

Three judges — Andrea MellardDennis Nance and Veronica Roberts, all arts insiders — joined voices in picking Parker.

Parker is also part of the Austin community fascinated by grackles. Contributed

RELATED: Sex, race and grackles — Fusebox Festival covers many moods.

“Parker exemplifies the way contemporary artists push beyond the boundaries of genres and media towards the pursuit of creativity,” Mellard says. “His strong artistic practice in new music performance, in sites ranging from parks to parking lots, has expanded into public sound sculptures and more recently installations. His generous approach brings together groups of trained performers and even invites curious members of the public to participate in his scores.”

SOMEWHAT RELATED: More Grackle Week 2018.

Big art news from Texas Biennial, Pop Austin and UT Landmarks

In this case, important art news comes in threes.

The Texas Biennial comes Sept. 30-Nov. 11. Contributed by Martha Hughes.

Big Medium, which produces EAST and WEST, has confirmed the dates and other details for the next Texas Biennial. The group survey exhibition, which features artists living and working in the state, will appear at 211 E. Alpine Road in Austin, Sept. 30-Nov. 11. The final list of artists selected by curator and artistic director Leslie Moody Castro will be announced Aug. 30

The work of Aaron de la Cruz appears at Pop Austin in November. Contributed

Pop Austin, which stages annual exhibitons of art one might not normally see in Austin, announces that this year the monumental event will take place Nov. 9-12 at Fair Market. It kicks off with an opening party Nov. 9. General admission will take place Nov. 10-12. Among the artists featured will be Aaron de la CruzJon One and Yang Na. Tickets go on sale Aug. 30. The show is also a part of Big Medium’s EAST.

A detail of the promised José Parlá mural at UT. Contributed

The Landmarks program, which provides the high-quality public art for the University of Texas, let us know about a big new mural in the works. The 4,000 square-foot-piece by José Parlá will grace Rowling Hall, the new home of the McCombs School of Business graduate program. The unveiling will take place at a big bash in January 2018.

Zack Ingram wins $15K Tito’s Prize from Big Medium

Sculptor and printmaker Zack Ingram is the winner of the inaugural Tito’s Prize, which comes with $15,000 cash and a solo exhibition at the Big Medium Gallery from Oct. 27 through Dec. 16. He’ll also figure prominently during the East Austin Studio Tour on Nov. 11-12, 18-19.

Sculptor and printmaker Zack Ingram. Contributed

The Prize, given by Big Medium, is made possible by Tito’s Handmade Vodka, which funds all sorts of cool stuff around town.

“I’m terribly grateful for the Tito’s Prize and the luxury of time and space it will provide me to continue the momentum I have as an Austin based artist,” Ingram says. “How do I secure a studio space, especially in a city that’s becoming increasingly unaffordable for artists? How do I make time to visit said studio while balancing a work schedule, to travel, to buy materials? The Tito’s Prize helps answer several of these concerns I’ve had.”

UPDATE: The initial post misspelled Zack Ingram’s first name.

The best possible list so far for the Austin arts season

We are assembling the best possible preview list for the coming Austin arts season. This is what we have been able to gather so far.

Austin Chamber Music Center

Various locations, 512-454-0026, austinchambermusic.org

Sept. 22-23: Dvorak, Gershwin, Amy Beach

Nov. 17-18: Bizet, Mendelssohn, Borodin

Jan. 19-20, 2018: Mozart, Schubert, Mendelssohn

March 2-3, 2018: Ravel, Chopin, Piazzolla

April 6-7, 2018: Bach, Haydn, Rachmaninov

Austin History Center

810 Guadalupe St., 512-974-7480, library.austintexas.gov

Aug. 29, 2017-Jan. 28, 2018: “Austin at Midcentury: Photographs of Dewey Mears”

Aug. 15-Nov. 17: “Fehr & Granger, Architects: Austin Modernists” (Austin Center for Architecture)

Austin Opera

Long Center, 512-472-5992, austinopera.org

Nov. 11-19: “Carmen”

Jan. 27-Feb. 4, 2018: “Ariadne auf Naxos”

April 28-May 6, 2018: “La Traviata”

Austin Playhouse

6001 Airport Blvd., 512-476-0084, austinplayhouse.com

Sept. 1-24: “This Random World”

Dec. 1-23: “Miss Bennet: Christmas at Pemberley”

Jan. 5-28, 2018: “The Immigrant”

March 23-April 22, 2018: “Shakespeare in Love”

May 25-June 24: “Curtains”

Austin Shakespeare

Long Center, 512-474-5664, thelcongcenter.org

Sept. 21-24: “The Crucible”

Nov. 16-Dec. 3: “Much Ado About Nothing”

Feb. 1-Feb. 25, 2018: “The Seagull”

May 3-27, 2018: “Merry Wives of Windsor” (Zilker)

The Austin Symphony will play along with Disney’s ‘Fantasia.’ Contributed

Austin Symphony

Long Center, 512-476-6064, austinsymphony.org

Sept. 8-9: Mozart, Poulenc

Oct. 6-7: Vaughan Williams, Beethoven, Mahler-Britten, Bruckner

Oct 20: Disney’s “Fantasia” in concert

Oct. 29: Halloween Children’s Concert

Dec. 1-2: Prokofiev, “Beyond the Score”

Dec. 12: Handel’s “Messiah”

Dec. 29-30: “I Heart the ’80s”

Jan. 12-13, 2018: Stravinsky, Rossini, Bach, Hovhaness, Haydn

Feb. 9, 2018: “Jurassic Park” in concert

Feb. 23-24, 2018: Schumann, MacDowell

March 23-24, 2018: Saint-Saëns, Jongen

April 12-14, 2018: Bernstein, Torke, Beethoven

May 18-19, 2018: Tchaikovsky, Stravinsky, Rachmaninoff

Jun 1-2, 2018: “The Rat Pack: 100 Years of Frank”

June 16, 2018: Butler Texas Young Composers Concert

Austin Symphonic Band

Various locations. austinsymphonicband.org

Sept. 17: Fall Concert in the Park

Nov. 12: Indoor Concert No. 1

Feb. 11, 2018: Indoor Concert No. 2

April 8, 2018: Indoor Concert No. 3

May 13, 2018: Mother’s Day Concert

June 17, 2018: Father’s Day Concert

June 30, 2108: Bastrop Patriotic Festival

July 4, 2018: July Fourth Frontier Days Celebration

Ballet Austin

Long Center, 512-476-9151, balletaustin.org

Sept. 15-17: “Romeo and Juliet”

Oct. 21-29: “Not Afraid of the Dark” (Studio Theater)

Dec. 8-23: “The Nutcraker”

Feb. 16-18, 2018: “Masters of the Dance”

April 6-8, 2018: “Exit Wounds”

May 11-13, 2018: “Peter Pan”

Blanton Museum of Art

200 E. Martin Luther King Jr. Blvd., blantonmuseum.org

Through Oct. 1: “Epic Tales from Ancient India”

Through Oct. 1: “Teresa Hubbard/Alexander Birchler: Giant”

Nov. 25-Jan. 7, 2018: “The Open Road: Photography and the American Road Trip”

Spring 2018: “Ellsworth Kelly’s Austin”

Big Medium

916 Springdale Road, 512-939-6665, bigmedium.org

Sept. 23-Dec. 2: Texas Biennial

Oct. 27-Nov. 19: Tito’s Prize Exhibit

Nov. 11-19: East Austin Studio Tour

Briscoe Center for American History

2300 Red River St., 512-495-4515

Through Sept. 17: “Exploring the American South”

Nov. 11, 2017-May 31, 2018: “Civil Rights Photography”

Broadway in Austin lands ‘A Gentleman’s Guide to Love & Murder.’ Contributed

Broadway in Austin

Bass Concert Hall, 800-731-7469, BroadwayInAustin.com

Oct. 13-15: “Rent” (season option)

Dec. 12-17: “The King and I”

Jan. 16-21, 2018: “Finding Neverland”

Feb. 13-18, 2018: “School of Rock”

March 20-25, 2018: “A Gentleman’s Guide to Love & Murder”

April 17-22, 2018: “The Book of Mormon” (season option)

May 30-June 3, 2018: “An American in Paris”

Bullock Texas State History Museum

1800 Congress Ave., 512-936-8746, thestoryoftexas.com

Through Feb. 4, 2018: “The Nau Civil War Collection”

Through March 18, 2018: Pong to Pokémon: The Evolution of Electronic”

Sept. 2, 2017-Jan. 7, 2018: “American Spirits: The Rise and Fall of Prohibition”

Feb. 17, 2018-Jan. 15, 2019: “Texas Rodeo”

Chorus Austin

Various locations, 512-719-3300, chorusaustin.org

Nov. 4-5: “Art of the Prophets”

Dec. 2: “On a Winter’s Eve”

Dec. 16: “Sing-It-Yourself Messiah”

City Theatre

3823 Airport Blvd., 512-524-2870, citytheatreaustin.orgtk

July 21-Aug. 13 “August: Osage County”

Aug. 18-Sept 10: “Chicago”

Co-Lab Projects’ Demo Gallery

721 Congress Ave., co-labprojects.org

Through July 23: “Unrealpolitick”

Aug. 5-26: “Expedition Batikback”

September: Claude van Lingen Retrospective

October: “Good Mourning Tis of Thee”

The Contemporary Austin – Jones Center

700 Congress Ave., 512-453-5312, thecontemporaryaustin.org

Sept. 23, 2017 – Jan. 14, 2018: “Wangechi Mutu”

Sept. 23, 2017 – Jan. 14, 2018: John Bock: “Dead + Juicy”

The Contemporary Austin – Laguna Gloria

3809 W. 35th At., 512-458-8191, thecontemporaryaustin.org

Sept. 23 – Ongoing: Ryan Gander: “The day to day accumulation of hope, failure and ecstasy”

Nov. 18 – Ongoing: “Carol Bove”

Conspirare

Various locations.

Oct. 10: Symphonic Choir Sings

Dec. 2-1: Conspirare Youth Choirs: Breath of Heaven

Dec. 9-14: Conspirare Christmas with Carrie Rodriguez

June 28-29, 2018: Bernstein Mass

Gilbert & Sullivan Austin

Various locations. gilbertsullivan.org.

Sept. 10: “The Daughter of the D’Oyly Carte”

Oct. 29: “Fall Gilbert & Sullivan Musicale”

Jan. 7: “Gilbert & Sullivan Revue and Sing-Along”

March 4-5: “Trail by Jury”

June 14-24: “Rudigore”

Georgetown Palace Theatre

810 S. Austin Ave., 512-869-7469, georgetownpalace.com

Sept. 1-Oct. 1: “You Can’t Do That Dan Moody” (Courthouse)

Sept. 29-Oct. 22: “Drinking Habits”

Oct. 20-Nov. 26: “Annie”

Oct. 27-Nov. 5: “Tony Harrison: Ballads & Bobbie Socks”

Nov. 17-Dec. 30: “Santaland Diaries”

Dec. 8-30: “A Christmas Carol”

Jan. 19-28, 2018: “Buddy Patsy”

Feb. 16-March 11, 2018: “Barefoot in the Park”

Feb. 23-March 25, 2018: “Mame”

March 30-April 22, 2018: “Dearly Departed”

April 20-May 20, 2018: “My Fair Lady”

June 1-24, 2018: “25th Annual Putnam County Spelling Bee”

July 13-Aug. 12, 2018: “Mary Poppins”

Aug. 31-Sept. 30, 2018: “Million Dollar Quartet”

Hyde Park Theatre

511 W. 43rd St., 512-479-7529, hydeparktheatre.org

Through Aug. 5: “The Moors”

Sept. 21-Oct. 21: “The Wolves”

Jan. 16-Feb. 17. 2018: FronteraFest

March 1-31, 2018: “Wakey Wakey”

jwj-graham-reynolds-0026b
Graham Reynolds lands at the Long Center. Contributed

Long Center for the Performing Arts

Aug. 11-13: “Fun Home”

Aug. 23: “An Evening with the Piano Guys”

Aug. 30: “An Evening with Carrie Rodriguez”

Sept. 13-14: Manual Cinema: “Lula Del Rey”

Sept. 16: “Kaki King: The Neck is a Bridge to the Body”

Sept. 30: Terrence Malick’s: “The Tree of Life”

Oct. 11-12: “Star Wars: A New Hope”

Oct. 21: “Shopkins Live!”

Oct. 25: “The Jeff Lofton Thang”

Nov. 13: Photographer Annie Liebovitz

Nov. 18: “An Evening with Maureen Dowd and Carl Hulse in Conversation”

Nov. 24: “Santa on the Terrace”

NOv. 24-25: “Rudolph the Red-Nosed Raindeer: The Musical”

Dec. 20: “Graham Reynolds Ruins the Holidays”

Dec. 29: “A Christmas Story: The Musical”

LBJ Presidential Library

2313 Red River St., lbjlibrary.org

Through Sept 6: “Deep in the Vaults of Texas”

Through Nov. 12: “On the Air: 50 Years of Public Broadcasting”

Oct. 28, 2017-Jan. 21, 2018: “Read My Pins: The Madeleine Albright Collection”

April 21, 2018-Jan. 13, 2019: “Get in the Game: Gender, Race and Sports in America”

Mary Moody Northen Theatre

St. Edward’s University campus, 512-448-8484, stedwards.edu/theatre

Sept. 28-Oct. 8: “Rhinoceros”

Nov. 9-19: “Anon(ymous)”

Feb. 15-25,2018: “Romeo and Juliet”

April 12-22, 2018: “Violet”

Mexic-Arte Museum

419 Congress Ave., 512-480-9373, mexic-artemuseum.org

Sept. 16–Nov. 26: “Diego y Frida: A Smile in the Middle of the Way”

Sept. 16–Nov. 26: “Community Altars”

October 2017–September 2018: “Changarrito Project”

 Oct. 17-September 2018: #ElMeroMuro”

Oct. 22: “The Catrina Ball: Viva Frida”

Dec. 9, 2017–Jan. 7, 2018: “Mix ‘n’ Mash 2017”

Dec. 9, 2017–Jan. 7, 2018: “Nacimientos y Retablos”

Jan. 26–March 1, 2018 and March 31–May 27, 2018: “Fotografia y Nuevos Medios from the Permanent Collection”

Jan 26–Feb. 14, 2018 and March 31–May 27, 2018: “Desert Triangle Print Portfolio”

June 15–Aug. 26, 2018: “YLA 23: Beyond Walls, Between Gates, Under Bridges”

June 15–Aug. 26, 2018: “Museum Studies Exhibition Library”

One World Theatre

7701 Bee Caves Road, 512-330-9500.

Aug. 10: Livingston Taylor

Aug. 11: Pieces of a Dream

Aug. 12: Edwin McCain

Aug. 20: Pure Prairie League

Sept. 2: Hillbenders – The Who’sTommy: A Bluegrass Opry

Sept. 3: The Everly Brothers Experience featuring the Zmed Bros

Sept. 8: Spyro Gyra

Sept. 9: David Cook

Sept. 10: Dailey & Vincent

Oct. 19: Joan Osborne

Oct. 22: Ricky Skaggs

Oct. 26: Jimmy Webb

Oct. 27: Lisa Fischer

Oct.  29: Jonathan Butler

Nov. 3: Guess Who

Nov. 9: Stanley Jordan

Nov. 12: Herman’s Hermits

Nov. 17: Ottmar Liebert

Nov. 19: Eddie Palmieri

Nov. 26: Riders In The Sky

Nov. 30: Kim Waters

Dec. 3: Petula Clark

Dec. 8: Norman Brown’s Joyous Christmas with Bobby Caldwell & Marion Meadows

Dec. 13: Annie Moses Band

Dec. 15: Tidings of Jazz & Joy with Keiko Matsui, Euge Groove featuring Lindsey Webster & Adam Hawley

Jan. 2018: Pete The Cat

Jan. 26, 2018: The Lettermen

Feb. 7-8, 2018: George Winston

Feb. 25, 2018: BJ Thomas

March 3, 2018: Judy Collins

March 10, 2018: Nugget & Gang

March 25, 2018: Take Six

March 30, 2018: 1964 The Tribute

April 29, 2018: Music of Abba

Gladys Knight.jpg
Gladys Knight. Contributed

Paramount and Stateside

713 Congress Ave., austintheatre.org

Sept. 22: The Flatlanders with Dan Penn

Sept. 23: Roger McGuinn

Sept. 28: Radney Foster

Sept.r 30: AJ Croce

Oct. 4: Lila Downs

Oct. 20: Del McCoury Band

Oct. 21: Selected Shorts

Oct. 21: Hal Ketchum

Nov. 8: An Evening of Storytelling with Garrison Keillor

Nov. 9: Demetri Martin presented by Moontower Comedy

Nov. 12: Jack Hanna’s Into The Wild Live

Nov. 17: Ray Wylie Hubbard’s Birthday Bash

Nov. 18: John Hodgman: Vacationland

Nov. 19: Gladys Knight

Dec. 1: A John Waters Christmas

Dec. 12: Tommy Emmanuel

Dec. 14: The Moth

Dec. 16: Bruce Robison & Kelly WillisTheatre

Jan. 31: Captain Scott Kelly

Penfold Theatre Company
Various locations, 512-850-4849, penfoldtheatre.org
Oct. 13-30: “Woman in Black”
Nov. 30-Dec. 23: “A Miracle on 34th Street Classic Radiocast”
Apr. 29, 2018: “A Marvelous Party”
May 31-Jun. 23, 2018: “Much Ado About Nothing”

Pollyana Theatre

Long Center, pollyanna.org

Sept. 30-Oct. 8: “A Moon of My Own’

Nov. 9-Dec. 18: “Chicken Story Time”

Jan. 18-Jan. 27, 2018: “Dog’s Job”

Feb. 14-Feb. 17, 2018: “Liberty, Equality and Fireworks!”

March 22-May 20, 2018: “Hurry Up and Wait”

May 12-May 20, 2018: “The Secret of Soap and Spin”

June 23-July 1, 2018: “If Wishes were Fishes”

July 12-July 21, 2018: “All Aboard!”

Ransom Center

300 We. 21st St., 512-471-8944, hrc.utexas.edu

Sept. 11, 2017-Jan. 1, 2018: “Mexico Modern: Art, Commerce and Cultural Exchange, 1920-1945”

Jan. 29-July 15, 2018: “Vaudeville”

Rude Mechs

Various locations, rudemechs.com

Aug. 27: “Gragelart”

Sept. 24: Stand-up Comedy Workshop

Oct. 21: “The Eye Ball”

November: “Gin & Tonix”

December: “Christmas Karaoke”

January, 2018: “Salon in a Salon”

February, 2018:  Off Center On Screen

March, 2018: “Fixing Troilus & Cressida”

April, 2018: “Perverse Results”

May, 2018: “Gragerlart”

Salvage Vanguard Theater

Various locations, salvagevanguard.org.

Oct. 26-Nov. 11: “Blu”

March 15-31, 2018: “Con Flama”

Tapestry Dance

Long Center, 512-474-9846, thelongcenter.org

Oct. 12-22: “Just Tap!”

Dec. 7-17: “Of Mice & Music: A Tap Jazz Nutcracker”

April 26-May 6, 2018: “April Fools”

June 14-16, 2018: “Soul 2 Sole Fest”

Texas Performing Arts presents the Philip Glass Ensemble playing with ‘Koyannisqatsi.’ Contributed

Texas Performing Arts

Various locations on UT Campus, 512-477-6060, texasperformingarts.org

Sept. 18: Dover Quartet

Sept. 21: Storm Large & Le Bonheur

Sept. 24: Spanish Brass

Sept. 29: Abraham.In.Motion

Oct. 5: Sergei Babayan

Nov. 8: Fifth House Ensemble’s Journey Live

Nov. 16: Seth Rudetsky’s Deconstructing Broadway

Nov. 18: Monty Alexander Harlem-Kingston Express

Dec. 1-2: Kurt Elling with the Swingles

Jan. 20, 2018: Chanticleer

Jan. 25-26, 2018: “Sancho: An Act of Remembrance”

Feb. 1, 2018: Ezralow Dance

Feb. 2, 2018: Ute Lemper

Feb. 16, 2018: Sergio & Odair Assad and Avi Avital

Feb. 23, 2018: Philip Glass Ensemble’s Koyaanisqatsi

March 8, 2018: “Musical Thrones: A Parody”

March 27, 2018: Che Malambo

April 3, 2018: University of Texas Symphony Orchestra

April 11, 2018: Hubbard Street Dance Chicago

April 14, 2018: University of Texas Jazz Orchestra with Conrad Herwig

Texas State University Theatre and Dance

Various locations on the Texas State campus. theatreanddance.txstate.edu

Sept. 26-Oct. 1: “A Chorus Line”

Oct. 12-15: “A Doll’s House”

Oct. 31-Nov. 5: “Perfect Pie”

Nov. 9-12: “We Are Proud to Present …”

Nov. 14-19: “Hamlet”

Feb. 1-4, 2018: “Speech and Debate”

Feb. 13-18, 2018: “The Rivals”

Feb. 22-25, 2018: “Instructions for Dancing”

April 10-15, 2018: “A Wrinkle in Time”

April 17-22: “Ragtime”

Umlauf Sculpture Garden and Museum

605 Robert E. Lee Road, 512-445-5582, umlaufsculpture.org

Aug. 8: “Umlauf After Dark”

Sept 5-Nov. 26: “Umlauf Prize Exhibition featuring Bucky Miller”

Oct. 29: “Last Straw Fest”

Nov. 12: Classical Garden

Feb. 14, 2018: Classical Garden

April 26, 201: Umlauf Garden Party

UT Butler School of Music (highlights)

Various locations on the UT campus. 512-477-6060, texasperformingarts.org

Sept. 7: Miró Quartet

Sept. 22: Thee Phantom & The Illharmonic Orchestra

Oct. 8: Anton Nel on the Fortepiano

Oct 27-Nov. 5: “Cosi Fan Tutte”

Nov. 16: Miró Quartet

Dec. 9: Holiday Choral Concert

Jan. 26, 2018: Miró Quartet

March 3, 2018: UT Symphony Orchestra

March 20-29, 2018: “Falstaff”

UT Theatre & Dance

Various locations on UT campus, 512-477-6060, texasperformingarts.org

Aug. 30-Sept 10: “Building the Wall”

Oct. 4-15: “Anon(ymous)”

Nov. 7-12: “Fall for Dance”

Nov. 8-19: “The Crucible”

Dec. 6-10: “The Drowsy Chaperone”

Feb. 21-March 4, 2018: “Enron”

March 28-April 8, 2018: “Transcendence”

April 12-22, 2018: “UT New Theatre”

UT Visual Arts Center

2300 Trinity St., 512-232-2348, utvac.org

Sept. 22-Dec. 9: Larry Bamburg

Sept: 22-Dec. 9: “Artists’ Books in Mexico”

Sept. 22-Oct. 20: Marta Lee and Anika Steepe

Sept. 22-Oct. 20: “New Barbizon Collective”

Sept. 22-Oct. 6: Fieldwork: “Mille Otto”

Rob Nash returns with ‘Holy Cross Sucks.’ Contributed by OUTmedia

The Vortex

2307 Manor Road, 512-478-5282, vortexrep.org

Sept. 8-24: “Storm Still”

Sept. 8-9: “Linda Mary Montano’s Birth/Death”

Sept. 22-Oct. 21: “Vampyress”

Oct. 4: “Icons: The Lesbian and Gay History of the World, Vol 1”

Nov. 2-5: “P3M5 Plays”

Nov. 9-11: “Somewhere Between”

Nov. 16-Dec. 9: “Wild Horses”

Nov. 17-Dec. 9: “The Member of the Wedding”

Dec. 14-17: “Rob Nash’s Holy Cross Sucks”

Dec. 21-Jan. 7, 2018: “The Muttcracker (Sweet!)”

Jan. 11-20, 2018: “The Way She Spoke”

Jan. 26-Feb. 10, 2018: “893/Ya-ku-za”

Feb. 14-18, 2018: Outsider Fest

Feb 22-25, 2018: “Reveal All Feature Nothing”

March 2, 2018: Cinema Dada

March 3, 2018: Congo Square

March 23-May 12, 2018: Performance Park

May 17-19, 2018: Toni Bravo’s “Home”

May 25-June 9, 2018: “Polly Mermaid”

June 15-30, 2018: “The Claire Play”

July 6-21, 2018: “The Last Witch”

July 27-Aug. 4, 2018: Summer Youth Theatre

Zach Theatre

202 S. Lamar Blvd., 512-476-0541

Through Sept. 3: “Million Dollar Quartet”

Sept. 27-Oct. 29: “Singin’ in the Rain”

Nov. 1-Dec. 31: “A Tuna Christmas”

Nov. 22-Dec. 31: “A Christmas Carol”

May 30-June 24, 2018: “Sunday in the Park with George”

June 20-July 22, 2018: “Heisenberg”

July 11-Sept. 2, 2018: “Beauty and the Beast”

 

 

Artists and audiences prepare now for the coming Austin arts season

The Austin arts season is upon us.

Wait, you say, it’s just July.

Right.

Jeff Lofton plays the Long Center on Oct. 25.

With some exceptions, arts and other cultural groups — we include major literary and historical outlets — don’t return to full form until September.

Yet now’s the time for all arts groups to confirm their seasonal slates and for all readers to consider purchasing season tickets.

In fact, for some high-demand groups, if you haven’t secured your 2017-2018 subscriptions already, you’re stuck with angling for single slots.

For instance, galvanized by the chance to secure tickets for the matchless musical, “Hamilton,” in the 2018-2019 season, more than 3,000 new subscribers have signed on for Broadway in Austin’s 2017-2018 offerings.

RELATED: Broadway smash “Hamilton” coming to Austin in 2018-2019 season.

Now, some groups don’t operate on the traditional season system, rolling out one show at a time. Others split up their seasons. For instance, the Long Center for the Performing Arts won’t announce its Winter/Spring slate until September.

We respect that. What will follow soon in these pages is a list of shows that we could discover with relative ease in July. We’ll add others to digital extensions on the Austin Arts blog when they arrive.

NEA dispatches almost $500,000 to Austin arts

The National Endowment for the Arts today announced almost $83 million in grants nationwide.

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The NEA has awarded $20,000 to Collide Arts to remount “Traffic Jam.” Contributed

Of that, $2.5 million went to Texas. Almost $1 million of that was given to the Texas Commission on the Arts to pass along to artists and arts groups statewide. In fact, of the $83 million that the NEA handed out today, almost $51 million went to its state partners like the Commission.

RELATED: Legislature cuts Texas arts funding 28 percent

Austin’s share of the NEA grants is distorted by the fact that the Texas Commission is located in the city but benefits artists statewide. Some of that will be spent here, but we don’t know yet how much.

Interestingly, the $100,000 that Austin’s Creative Action garnered was for a partnershiip with Six Square, a group that seeks to preserve and promote the historical and cultural legacy of African-American in East Austin. Six Square is a designated Texas Cultural Arts District, but the state legislature declined to fund $5 million for the more than 30 such districts statewide.

Unless I’m missing something, these are the Austin beneficiaries:

Forklift Danceworks: $40,000 (in two grants)

Austin Chamber Music Center: $20,000

Austin Classical Guitar: $55,000

Austin School District: $100,000

Big Medium: $20,000

KLRU: $10,000

Austin Cultural Arts Division: $50,000

Collide: $20,000

Conspirare: $30,000

Creative Action: $100,000

Texas Folklife: $35,000*

*UPDATE: Texas Folklife received an additional $38,000 grant for its statewide work.

East Austin Studio Tour: Get going, get out there

“El Capacitor” is a public installation by Michael Anthony García, a commissioned project by TEMPO, the city’s temporary public art initiative.

“El Capacitor” is in East Austin’s Metz Park and thus an official stop on this year’s East Austin Studio Tour. It is one of five TEMPO projects on the tour.

READ: A guide to the ever-expanding East Austin Studio Tour

A bright red podium forms the center of García’s installation. The podium is surrounded by flagpoles bearing flags that are stitched together from neighborhood residents’ clothing.

García is an astute and thoughtful artist whose creative and curatoral practice is rooted in timely social issues.

READ: Los Outsiders curate exhibit to spark conversation about gentrification.

The title “El Capacitor” refers to the nearby decommissioned Holly Street Power Plant, which for half a century belched toxic fumes, leaked chemicals into Lady Bird Lake and was the site of numerous oil spills and fires.

Only after considerable community and citizen action did the Holly Street Power Plant close in 2007.

However, by the mid-aughts, the surrounding neighborhood of modest houses, for generations a predominantly Latino enclave, was already witnessing significant changes as gentrification drew a new demographic — yes, including artists to the downtown-adjacent neighborhood.

For García, “El Capacitor” is symbol of the community’s potential energy — a symbolic space created to inspire the neighborhood’s longtime residents to amplify their voice.

“El Capacitor” can also be read as a summons for everyone to get out there and talk to each other in a civic space. Its bright podium offers a dignified platform for all voices. And its circle of flags frames a demand for all of us to listen to each other.

el-capacitor
“El Capacitor” by Michael Anthony García. Photo courtesy of the artist.

 

What to see at EAST: These artist warehouses and co-working spaces are home to many

What to see at EAST: A map to the artist hives

Oh, we know.

Sometimes it’s hard to know where to start on the East Austin Studio Tour.

This year’s tour catalog lists 534 sights and events, the most in EAST’s 15 editions.

The East Austin Studio Tour group exhibition is on view in shipping containers at Canopy, 916 Springdale Road.

The East Austin Studio Tour group exhibition is on view in shipping containers at Canopy, 916 Springdale Road. Photo courtesy Big Medium.

READ: A guide to the ever-expanding East Austin Studio Tour

READ: What to see at EAST: 13 women artists

If the sheer number of tour stops overwhelms you, one strategy is to start with the warehouses or other co-working spaces that have multiple studios and galleries.

And we’ve got a map for that:

 

 

 

 

 

 

 

 

 

 

What to see at EAST: 13 women artists

It’s hard not to have a few favorites. And with each iteration of the East Austin Studio Tour, I find myself inevitably circling round to visit certain artists.

Each year with our coverage we aim to highlight tour stops that are largely different than stops we’ve highlighted in previous years. And this year we’re challenging you to branch out and explore the entirety of the tour’s current footprint.

READ: A guide to the ever-expanding East Austin Studio Tour

Here’s an additional list of 13 women artists whose work I admire and whose studios I will try to get to.

I’ve had the pleasure of writing profiles of several of these women artists or reviews of their work. And links to the those articles are included.

Tammie Rubin’s intricately detailed porcelain sculpture is potent with symbolic and conceptual meaning, and her Austin debut solo exhibit is the highlight of this fall’s gallery scene.

READ: In delicate yet trenchant sculpture, Tammie Rubin traces family history

Tammie Rubin. Photo: Dave Creaney/AMERICAN-STATESMAN
Tammie Rubin. Photo: Dave Creaney/AMERICAN-STATESMAN

• In meticulous drawings — many of which are mural-sized — Hollis Hammond charts the destruction of natural and man-made disasters with a kind dream-like nostltalgia.

READ: In a solo exhibit, Hollis Hammonds reconciles with a childhood fire.

ollis Hammonds’ 16-foot wide drawing “House on Fire.”
Hollis Hammonds’ 16-foot wide drawing “House on Fire.”

Jenn Hassin creates installations and wall-based sculpture from thousands of conceptually symbolic pieces of rolled paper.

READ: Jenn Hassin’s military service just one inspiration for her art

Jenn Hassin in her studio at Canopy. Photo: Tamir Kalifa for American-Statesman.
Jenn Hassin in her studio at Canopy. Photo: Tamir Kalifa for American-Statesman.

 

Elizabeth McDonald‘s potent paintings examine the dynamics socio-political or interpersonal power struggles and their inevitable rituals.

READ: Elizabeth McDonald’s art of scapegoating

Elizabeth McDonald, "Pool Crowd."
Elizabeth McDonald, “Pool Crowd.”

What to see at EAST: These artist warehouses and co-working spaces are home to many

 

Elizabeth Chiles
Elizabeth Chiles brings uncommon elegance to photographs that capture an evolving universe.

 

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Susan Scafati combines old and new photography technique in her mixed-media fabrications.

 

Emily Cayton and Andrea Hyland work collaboratively on immersive fusions of painting, sculpture,collage and drawing.
Emily Cayton and Andrea Hyland work collaboratively on immersive fusions of painting, sculpture,collage and drawing.

 

Jana Swec's detailed ink and pencil drawings always beguile.
Jana Swec‘s detailed ink and pencil drawings always beguile.

 

Rachel K Bury, No Need for Other Worlds (for precisely the same reason)
The compelling painterly sculptures of Rachel K. Bury challenge  pre-conceived notions of painting. “No Need for Other Worlds (for precisely the same reason)”

 

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Caitlin G. McCollom uses vibrant, watery acrylic to paint plastic paper. “A Cavern Within Your Heart Flooding With Water”

 

 

 

Rachel Wolfson Smith, "Underdog."
Mural-size drawings of motorcycles by Rachel Wolfson Smith echo Renaissance battle paintings. Rachel Wolfson Smith, “Underdog.”

 

Cheryl Finfrock's paintings are rich with enigmatic stories.
Cheryl Finfrock‘s paintings are rich with enigmatic stories.

 

Court Lurie's exuberant abstractions are as spontaneous as they are defined.
Court Lurie‘s exuberant abstractions are as spontaneous as they are defined.