Broadway hit “Rent” is coming to Bass Concert Hall for a short run Oct. 13-15, and you can score a great ticket for not a lot of dough. Seats in the first two rows of the orchestra section of every performance will be available for $25.
Now, you do have to work a bit to get that deal: Tickets can only be purchased in-person on the day of performance, two hours before each show, at the Bass ticket office, 2350 Robert Dedman Drive. These sales are cash only, and there’s a limit of two tickets per person. Performances are 8 p.m. Oct. 13-14, 2 p.m. Oct. 14 and 1 p.m. and 7 p.m. Oct. 15.
According to Broadway in Austin: “The tradition of $25 tickets began in 1996 in New York when the show moved to Broadway after a sold-out run in a small downtown theater. The producers of the show are committed to continuing the tradition of offering orchestra seats for $25 in each city the show will play.”
Freelance arts critic Andrew Friedenthal talked with national tour director Evan Ensign about the show for Austin360; here’s a little peek:
Long before people were lining up around the block in hopes of getting a ticket to “Hamilton,” a very different kind of show was praised for reinvigorating Broadway with its appeal to younger, more diverse audiences — Jonathan Larson’s “Rent.”
Loosely based on Giacomo Puccini’s opera “La Bohème,” “Rent” tells the story of a group of 20-something New Yorkers living in Manhattan’s Alphabet City neighborhood while dealing with the hassles of adult responsibilities and the deadly specter of the then-rampant AIDS disease. The show was a massive critical and commercial success in its original run, winning multiple Tony Awards and a Pulitzer Prize (issued posthumously to writer and composer Larson, who died the night before the show’s off-Broadway premiere), and it became one of the first Broadway shows to feature an affordable lottery system for sold-out performances.
With such a distinguished pedigree, you would think that Evan Ensign, the director of the show’s new national tour, might feel some pressure to live up to audience expectations. Ensign, though, is confident in the strength of the material. “I don’t feel that much pressure because I think the show stands up for itself,” he says.