New Austin subscribers must wait for ‘Hamilton’ season tickets

Broadway in Austin has paused its acceptance of new subscribers for the 2018-2019 season that includes the smash musical “Hamilton.” Current subscribers to the 2017-2018 season can still renew their seats through March 27.

New subscribers to the Texas Performing Arts series can sign up for the waiting list to be notified if additional season tickets become available.

Michael Luwoye and Isaiah Johnson in the ‘Hamilton’ national tour. Contributed by Joan Marcus

This pause is unprecedented in the history of touring shows at the University of Texas’ Bass Concert Hall. Demand must be incredibly high.

UPDATE 11:26 a.m. Feb. 28:

“We’ve heard no complaints or frustrations from customers so far,” says Broadway in Austin spokeswoman Amy Layton. “The numbers on the waiting list for new subscriptions, however, are on the rise.”

Layton said that this situation has happened in other markets where “Hamilton” was on the season list.

“Current season ticket holders’ seats are held,” she says about those with 2017-2018 season subscriptions. “We have not given any of them away. Current subscribers have until March 27 to renew.”

Layton also said that because the touring route is already locked in, it’s highly unlikely that any new performances would be added in Austin. That can happen in markets where hits such as “Hamilton” can “sit down” at one theater for a long time, places such as Los Angeles, Chicago and Toronto.

Get your ‘Hamilton’ tickets for Austin right now

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UPDATE 8:57 a.m. Feb. 28: Broadway in Austin has paused its acceptance of new subscribers for the 2018-2019 season that includes the smash musical “Hamilton.” Current subscribers to the 2017-2018 season can still renew their seats through March 27.

New subscribers to the Texas Performing Arts series can sign up for the waiting list to be notified if additional season tickets become available.

This pause is quite unusual, perhaps unprecedented in the history of touring shows at the University of Texas’ Bass Concert Hall. Demand must be incredibly high.

———-

At last you have permission to order those “Hamilton” tickets for the once-in-a-generation musical that will stop in Austin at Bass Concert Hall for three weeks in 2019.

Michael Luwoye and Isaiah Johnson in the ‘Hamilton’ national tour. Contributed by Joan Marcus

The happy catch? To secure those tickets beginning at 11 a.m. Feb. 20 when the Broadway in Austin call center opens, you must subscribe to the whole 2018-2019 season, presented by Texas Performing Arts at Bass Concert Hall. That means six other shows, including one comedy, three relatively new musicals and two long-running Broadway standards. Single tickets to “Hamilton” and the other shows will go on sale at a later date.

Yet let’s start with “Hamilton,” which plays May 28-June 16, 2019, at the very end of the coming season.

RELATED: Broadway smash ‘Hamilton’ coming to Austin in 2018-2019 season

“We have been building up to this season since ‘Hamilton’ opened on Broadway,” says Kathy Panoff, Texas Performing Arts director and associate dean of the University of Texas School of Fine Arts. “We’re thrilled it’s finally coming to Austin.”

Lin-Manuel Miranda reinvented the musical theater form with this ferociously smart show about Alexander Hamilton, inspired by Ron Chernow’s best-selling biography. Using a range of musical styles in a sung- and rapped-through score — as well as mostly nonwhite actors, who give every old idea new meaning — the show opened on Broadway in 2015. It has been sold out ever since, and individual tickets can go for hundreds of dollars.

Yet season ticket prices for all seven Broadway in Austin selections, including “Hamilton,” start as low as $224.

While you are holding your breath for the Great Arrival, six other shows wait in the Bass Concert Hall queue.

Alex Mandell and Amelia McClain in the ‘The Play That Goes Wrong,’ the only nonmusical in the Broadway in Austin season. Contributed by Jeremy Daniel.

The one comedy — a rare nonmusical for Broadway in Austin — is “The Play That Goes Wrong,” a British product that has been compared to the backstage farce “Noises Off.” In this show, things go disastrously wrong during the opening night of a play called “The Murder at Havensham Manor,” proving that theatrical life is often the theater’s most effective subject. It lands Oct. 23-28, 2018.

Among the new musicals, “Love Never Dies” is an Andrew Lloyd Webber tuner billed as a sequel to his mega-hit, “The Phantom of the Opera.” Lloyd Webber, however, once said: “I don’t regard this as a sequel — it’s a stand-alone piece.” He later clarified his remarks, saying that of course it is a sequel, but you need not have seen “Phantom” to understand it. Fair enough. It stumbled during its original London run but was embraced in Australia. “Love” tarries Nov. 27-Dec. 2, 2018.

‘Waitress’ is based on a charming indie movie. The musical has run on Broadway for two years. Contributed

Another new musical, “Waitress,” was inspired by the charming 2007 independent movie by the same name and features an admired score by singer-songwriter Sara Bareilles, who currently stars in the New York cast. The musical version of “Waitress” opened on Broadway in 2016 and is still running, which is a feat for a relatively quiet, personal show. It tells of a cafe server stuck in an unhappy marriage who is pregnant and having an affair and who seeks redemption through a pie contest. It takes your orders Jan. 22-27, 2019.

Before becoming a Broadway musical, ‘Anastasia’ was a book, play, film and animated movie. Contributed

“Anastasia,” the third new musical, shares an Austin connection. Local arts backers Marc and Carolyn Seriff are among the credited producers. The 2017 musical is based on the 1997 animated film — itself inspired by plays and novels about the recovery of a possibly lost Russian princess — and many of its fans remain loyal from that experience. It received lukewarm notices in New York, but, based on its built-in appeal, the producers immediately announced a worldwide tour. It appears Feb. 12-17, 2019.

The older musicals need no introductions. “Fiddler on the Roof,” the 1964 Bock and Harnick classic based on shtetl life, brings back Jewish traditions and indelible songs April 2-7, 2019. The musical focuses on Tevye, a dairyman with five daughters who must deal with changing cultural norms as well as the expulsion of the Jews by the Czar’s forces.

The record-breaking show comes to Austin by way of a fresh production from director Bartlett Sher.

Andrew Lloyd Webber’s indestructible “Cats,” which debuted on Broadway in 1982 and then ran 18 years, shows up on our collective doorsteps again May 7-12, 2019. You either hate or love this show based on T.S. Eliot poems about feline life and afterlife. There’s no denying that tunes such as “Memory” are hard to pry from your mind. Whether you cotton to the furry costumes, circus makeup and undulating choreography is a matter of personal preference.

How to land tickets to ‘Hamilton’ and more

The seven-show Lexus Broadway in Austin 2018-19 season subscriptions go on sale starting at 11 a.m. Feb. 20. Prices start as low as $224. Visit broadwayinaustin.com or call Broadway in Austin at 800-731-7469 from 9 a.m. to 5 p.m. Monday through Friday. The deadline for current season subscribers to renew their seats is March 27. Groups of 10 or more may request reservations by calling 877-275-3804 or via email at Austin.Groups@BroadwayAcrossAmerica.com. Individual show ticket sales will be announced at a later date.

Show from ‘Hamilton’ creator takes Zach Theatre to new ‘Heights’

Contributed by Kirk Tuck

Before the award-winning pop culture phenomenon that is “Hamilton,” writer/composer Lin-Manuel Miranda had already taken the Broadway world by storm with his first Tony-winning musical, “In the Heights.”

With music and lyrics by Miranda and a book by Quiara Alegría Hudes, the show tells the story of a group of diverse, multicultural neighbors living and working on the same block in Manhattan’s Washington Heights. What the show was most notable for, though, was its mix of musical styles — hip-hop, salsa, meringue — to create a sound that was new to the Broadway stage, a sound that Miranda would later expand even further with “Hamilton.”

Thanks in part to the success of “Hamilton,” “In the Heights” has had a popular resurgence at regional theaters, and Austin’s Zach Theatre has just mounted its own production, running through July 2. To make sure their version stays in keeping with the energy of the show’s Broadway run, Zach has brought in director/choreographer Michael Balderrama, who was a cast member in that original run and served as the resident director/choreographer for its national tour. Zach and Balderrama even utilize scenic designer Anna Louizos’ original set, which cleverly re-creates the various storefronts and apartments of an entire Manhattan block without overcrowding the stage.

RELATED: How you can get tickets to see “Hamilton” in Austin

It’s very clear from watching this production of “In the Heights” that the director is a choreographer, as the characters’ movements and dances reveal as much of their inner life as the script and lyrics do. Hudes’ book is, in some ways, the weakest part of the show, as it hews to highly traditional notions of family and community, and so the added layer of characterization embedded within the choreography makes for a stronger presentation of the musical as a whole.

Of course, inventive, engaging choreography and a dynamic score mixing a variety of musical styles can’t succeed without a cast that can pull them off, and the cast of “In the Heights” — mixing local talent with performers from out of town (some of whom have been a part of the show’s national tour) — keeps the show’s energy running high from beginning to end.

Keith Contreras-McDonald is given the difficult task of re-creating Usnavi, a role made famous by Miranda himself, and he pulls it off with boyish charm and innocence, particularly in his relationships with his younger cousin Sonny (Nicolas Garza) and love interest Vanessa (Alicia Taylor Tomasko). As another pair of young lovers, Benny and Nina, Vincent J. Hooper and Cristina Oeschger steal the show with a mixture of chemistry and earnestness that lets us see their inner workings throughout the course of the evolving plot.

“In the Heights” is a triumph for Zach Theatre, a production that brings energy and vitality to their stage thanks to text and sound that resonate with contemporary audiences. Though ultimately telling something of a small, intimate story of love and family/community devotion, the sheer vibrancy of the show’s music demands a large-scale, vibrant production, which Zach and Balderrama deliver with energy and skill.

“In the Heights”
When: 7:30 p.m. Wednesday-Saturday, 2:30 p.m. Saturday and Sunday through July 2
Where: Zach Theatre, 202 S. Lamar Blvd.
Cost: $29-$81
Information: zachtheatre.org

 

 

Get ready for the roar of the Greater Austin High School Musical Theatre Awards

Last year, we attended the Greater Austin High School Musical Theatre Awards — gotta find a new name — ceremony for the first time. There are no words to describe them adequately.

The unavoidable excitement. The phenomenal talent. The unexpected good sportsmanship. I can still hear the roar of crowd.

The Greater Austin High School Musical Theatre Awards 2014 - At the Long Center photogrpahed by James Goulden

Come 7 a.m. March 7 — you read that right, in the morning — students from 31 area high schools will gather in the Long Center’s Rollins Studio Theatre to hear for the first time the 2017 nominations.

J. Quinton Johnson, current cast member in Broadway smash “Hamilton,” will do the honors. A University of Texas theater alum, Johnson cut his theatrical teeth in Austin theater and film communities.

The awards ceremony returns to the Long Center’s Dell Hall on April 13 and, while I might not make the dawn announcement, you can pretty much guarantee I won’t be found anywhere else for the full ceremony. Ditto anybody who cares about the future of musical theater.

 

How you can get tickets to see ‘Hamilton’ in Austin

Yes, it’s really happening: The smash Broadway hit about our nation’s founders is coming to Austin during the 2018-2019 Broadway in Austin season.

Daveed Diggs, Okieriete Onaodowan, Anthony Ramos, and Lin-Manuel Miranda in "Hamilton: An American Musical." CONTRIBUTED
Daveed Diggs, Okieriete Onaodowan, Anthony Ramos and Lin-Manuel Miranda in “Hamilton: An American Musical.” CONTRIBUTED

You can’t buy those tickets yet — and when they do go on sale, they’re sure to sell out. But there is a way you can act now to get your shot at seats: Subscribe to the 2017-18 season. Subscriptions go on sale at 11 a.m. today, starting at $135, and subscribers get to be first in line for the 2018-19 season.

The 2017-2018 season of Broadway in Austin presented by Texas Performing Arts features “School of Rock,” “The King and I,” “Finding Neverland,” “A Gentleman’s Guide to Love & Murder” and “An American in Paris,” plus “Rent” and “The Book of Mormon” as special subscriber options.

The national touring show of “Hamilton” will also be making stops in San Antonio, Dallas and Houston. 

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“Hamilton” coming to San Antonio – could Austin be in its future?

Want to see Lin-Manuel Miranda’s Tony-winning musical “Hamilton” live on stage? You won’t have to go all the way to Broadway.

The national tour of the show is coming to San Antonio for the 2018-2019 Broadway in San Antonio season, the San Antonio Express-News reports.

Daveed Diggs, Okieriete Onaodowan, Anthony Ramos, and Lin-Manuel Miranda in "Hamilton: An American Musical." CONTRIBUTED
Daveed Diggs, Okieriete Onaodowan, Anthony Ramos and Lin-Manuel Miranda in “Hamilton: An American Musical.” CONTRIBUTED

So, any chance the show could dance its way up the highway to Austin? The national touring schedule also lists Houston and Dallas for the 2018-2019 season … and says “Additional cities to be announced soon.”

We’ll be patiently waiting to see if Austin makes that list.

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